Jumat, 12 November 2010

[D923.Ebook] Download Lola: A Ghost Story, by J. Torres

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Lola: A Ghost Story, by J. Torres

  • Jesse sees dead people, monsters, demons, and lots of other things that go bump in the night that no one else can see. No one except his ailing grandmother — a woman who used her visions to help those living in her small town... the same rural community in all the scary stories Jesse's heard as a child. Man-eating ogres in trees. Farmhouses haunted by wraiths. Even pigs possessed by the devil. Upon his grandmother's passing, Jesse has no choice but to face his demons and whatever else might be awaiting him at grandma's house.

  • Sales Rank: #1779457 in Books
  • Published on: 2011-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .70" w x 7.20" l, 1.05 pounds
  • Binding: Hardcover
  • 112 pages

From School Library Journal
Grade 7 Up—Lola ("grandmother" in Tagalog) has just died, and Jesse is reluctant to visit her home in the Philippines. He was afraid of her because she was rumored to have magical abilities, and because he thinks she tried to drown him when he was a baby. Jesse listens to family members tell stories about her as he tries to adjust to their strange mix of superstitions and religion. Lola is one of several dead characters in this book, and they tie into another reason that the boy is worried about this trip. Jesse is an unusually nuanced character, both in relation to his family and to readers. When he sees something extraordinary, it's unclear if he is dreaming, hallucinating, or if he has inherited his grandmother's abilities. Torres's gradual revelation of details will keep readers hanging until they learn the truth. Or's artwork uses sepia tones and smooth lines, and features characters with cute button eyes. But the sweet images can quickly turn horrific when Jesse has his visions. Lola ends with a cliff-hanger that could be resolved in a sequel but that just might have to be resolved by readers' imaginations.—Andrea Lipinski, New York Public Library
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review
Torres and Or's tale is the sort of quiet horror story that moves along simply, lulling you into false security, before twisting quickly in another direction right at the end. The details of Jesse's powers are doled out slowly, not just thrown right at you, and so it's easy to think that his reluctance to travel is due to being uncomfortable in a different country, being annoyed by his relatives, or just being a young teen. It's not until we begin to see his visions during Lola's funeral that we realize just why Jesse is as nervous as he is. Then, as his cousin Maritess begins to try to help him deal with his powers, we think that he might just be alright. Maybe he'll learn to handle the visions, maybe his parents will be okay with his abilities as they were accepting of Lola's, maybe things will work out. It's a comforting thought that makes the final twist work even more effectively.

Or's art is as quiet as Jesse is. The characters' rounded faces seem gentle, so when Jesse's visions of death and decay begin, they are as jarring as a rotting corpse in a flower bed. But even though Or's art can be shocking, this is still horror that is appropriate for most middle school audiences. The blood and guts are kept to a minimum, used sparingly for effect, with only three pages having zombie-style (meaning: guts falling out) illustrations. The horror is built more from the looks on Jesse's face. He is tortured by what he sees, pained by the knowledge that the world isn't the safe, easy place that many people believe it to be. Maritess' respect for Jesse's abilities and her slight jealousy of his inheritance of Lola's powers is evident on her face, but that look soon begins to fade as she realizes what his visions have cost him.

Though readers are left unsure of Jesse's fate at the end of this volume--and though there is no guarantee of a second volume--that ending works perfectly for the type of horror this story is. Jesse's world is not safe, even if his story has a folkloric, almost old-fashioned quality to parts of it. The ending reminds us that he has issues beyond our ken to deal with at a very young age and we can't help but be sympathetic to them, even as we shudder at what he sees. Though the oversized format and the bright cover might not catch the eye of horror readers, with some booktalking this title is sure to find an audience. --Publishers Weekly School Library Journal

Most helpful customer reviews

0 of 0 people found the following review helpful.
Creepy Ghost Story
By Nicola Mansfield
Reason for Reading: This was a Cybils '10 nominee and as a panelist for Graphic Novels was required reading for me. The panelists did not receive a review copy from the publisher and like most other panelists, I, unfortunately, was unable to find a copy before our nominations were due. My copy from Interlibrary Loan request had just now come in.

This is a great ghost story told in the classic tradition and very worthy to be read by all ghost story aficionados. Jesse sees dead people, goblins, demons, monsters, etc. but he's learned to stop telling anyone since his parents' and teachers' reactions have been less than accepting. Now he and his family are traveling "home" to the Philippines; Jesse's parents immigrated to Canada when he was four and this is his third visit here. He hates it here. They have come for the funeral of his grandmother, "Lola" in Filipino. The culture of his Filipino family is quite hard for Jesse to accept, they are devout Catholics, carrying Rosaries, with beautiful shrines of worship in the house and yet they are steeped in the superstitions of tradition. Lola had the "gift" and he's heard all the stories of how she's helped the community and even defeated demons. Jesse fears what it will be like here now that Lola is gone.

A fabulous story with lots of creepy moments. The tension mounts slowly through the story. Things start happening right away and the reader becomes unsettled knowing something is not quite right. Gradually we learn what is going on, and Jesse realizes the truth as well. His cousin easily figures out Jesse's gift and berates him for hiding it, telling him it is a gift from God and he must use it. He has something he must do before he leaves. Then like any really good ghost story the book ends with a really fantastic heart-pounding shocker of an ending where one can only imagine what comes next. Loved this one!

See all 1 customer reviews...

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Rabu, 10 November 2010

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Minggu, 07 November 2010

[Z915.Ebook] Ebook Download Right Down Your Alley: The Complete Book of Bowling (Cengage Learning Activity), by Vesma Grinfelds, Bonnie Hultstrand

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Right Down Your Alley: The Complete Book of Bowling (Cengage Learning Activity), by Vesma Grinfelds, Bonnie Hultstrand

Cengage Learning Activity Series Get the most out of your favorite physical activities. From aerobics and yoga -- to bowling, tennis, weight training, and more -- the Wadsworth Physical Education Activities Series goes beyond the basics, showing you how to improve, excel, and get more enjoyment from your activities, whatever your skill level and background. RIGHT DOWN YOUR ALLEY: THE COMPLETE BOOK OF BOWLING covers everything you need to know about the game, along with strategies you can use to keep improving. This comprehensive guide covers topics ranging from holding the ball to the principles of movement and competitive bowling. With this book in your pocket you will be bowling strikes in no time at all!

  • Sales Rank: #484725 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2011-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.77" h x .33" w x 8.53" l, .89 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

Review
PART I: BASIC BOWLING. 1. Understanding the Basics. 2. Preparing for Action. 3. Stance, Approach, and Delivery Concepts. 4. Principles of Movement Applied to Bowling. 5. Common Errors and Corrective Actions. 6. 3-1-2 Strike Adjustment System. 7. 3-6-9 Spare Conversion System. 8. Scoring and Rules of Bowling. 9. Preparing for League Bowling. 10. Bowling for Those with Special Needs. 11. The Modern Bowling Environment and Twenty-First Century Technology. PART II: ADVANCED BOWLING. 12. Alternatives to the Four-Step Approach. 13. Ball Tracks. 14. Lift and Revolutions. 15. 3-4-5 Strike Adjustment System. 16. 2-4-6 Spare Adjustment System. 17. The Advanced Bowler and Technology. 18. Competitive Bowling. Appendix A: Glossary of Terms. Appendix B: Bowler's Analysis Chart. Index.

About the Author
Vesma Grinfelds earned her B.A. Degree from the University of California, Berkeley in 1971. While attending, she was a member of the bowling team and finished 2nd in the Intercollegiate Championships All-Events. Her professional bowling career started in July 1971 after winning her first title in Las Vegas. During the 20-year span of competitive bowling, she amassed 10 professional titles, 13 regional professional titles, 2 WIBC event titles, and 2 international titles (Japan and the Philippines). She has accomplished three 300 games and an 810 three game series. Vesma was a Master Clinician for the National Bowling Council for 12 years during which time she conducted seminars to bowling coaches and instructors concerning the teaching of bowling fundamentals and techniques. She was also a coach for the Philippines National Bowling Team for the Southeast Asian Games in 1981. During her bowling career, Vesma was a long time representative of the Brunswick Corporation. She was inducted into the U.S. Bowling Hall of Fame in 1991 for Superior Performance and the Professional Women's Bowling Hall of Fame in 1997. Currently, Vesma bowls occasional events and remains involved with the sport by supporting the budding bowling career of her son, Dzintars. She resides in San Francisco and is very active in philately.

Bonnie J. Hultstrand received her B.S. Degree in Physical Education from St. Cloud State College in 1960 and her M.S. Degree in Physical Education from Washington State University in 1966. After 39 years of teaching, she retired in 1999 as Professor Emeritus from the University of Idaho where she spent her last 24 years of teaching and coordinating the Undergraduate Physical Education program. Prior to the University of Idaho, she taught at the University of Wyoming, Washington State University, and had a four-year stint in the public schools. Her areas of teaching ranged from a variety of professional preparation courses to sport activities. Bowling instruction was always a significant part of her teaching responsibilities. In addition, her 18-year coaching career included the collegiate bowling team at Washington State University. Among her professional leadership and teaching awards are: Northwest American Alliance for Health, Physical Education, Recreation, and Dance (AHPERD) Outstanding College/University Physical Educator of the Year (1998); Idaho AHPERD Outstanding College Physical Educator of the Year (1997); Idaho AHPERD Distinguished Service Award (1989); Associated Students of UI Outstanding Teacher Award (1986); College of Education Outstanding Faculty Award (1990); Chair of Faculty Council (1992-93); and UI Alumni Excellence in Teaching Awards. Bonnie is currently retired and resides in her northern Idaho lake home. She enjoys an active lifestyle that includes traveling, reading, golfing, and volunteering.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Not bad
By danica lopez
This is a good book for beginning bowlers. It overviews everything and tells you how to pick up spares using the arrows. This book helped improve my score by about 100 pts.

1 of 1 people found the following review helpful.
Good enough for the class
By Aaron Krauss
Thorough, but mind of cheesy, and most of the stuff is self explanatory

1 of 1 people found the following review helpful.
Worth a look
By The RC Guy
Needed for college but did improve my game a little.

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Kamis, 28 Oktober 2010

[K997.Ebook] Download Sweet Anticipation: Music and the Psychology of Expectation (MIT Press), by David Huron

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Sweet Anticipation: Music and the Psychology of Expectation (MIT Press), by David Huron

The psychological theory of expectation that David Huron proposes in Sweet Anticipation grew out of the author's experimental efforts to understand how music evokes emotions. These efforts evolved into a general theory of expectation that will prove informative to readers interested in cognitive science and evolutionary psychology as well as those interested in music. The book describes a set of psychological mechanisms and illustrates how these mechanisms work in the case of music. All examples of notated music can be heard on the Web.

Huron proposes that emotions evoked by expectation involve five functionally distinct response systems: reaction responses (which engage defensive reflexes); tension responses (where uncertainty leads to stress); prediction responses (which reward accurate prediction); imagination responses (which facilitate deferred gratification); and appraisal responses (which occur after conscious thought is engaged). For real-world events, these five response systems typically produce a complex mixture of feelings. The book identifies some of the aesthetic possibilities afforded by expectation, and shows how common musical devices (such as syncopation, cadence, meter, tonality, and climax) exploit the psychological opportunities. The theory also provides new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron traces the psychology of expectations from the patterns of the physical/cultural world through imperfectly learned heuristics used to predict that world to the phenomenal qualia we experienced as we apprehend the world.

  • Sales Rank: #144622 in Books
  • Published on: 2008-01-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .81" w x 7.00" l, 1.63 pounds
  • Binding: Paperback
  • 480 pages

Review

A richly detailed theory of how and why the audience has particular expectations and emotions.... A fascinating journey into the inner workings of music and how it tickles the human mind.

(Petr Janata Nature)

Sweet Anticipation... in its range, rigour and insights constitutes an astonishing achievement. Although it announces itself as a book about expectation in music, it goes well beyond what that might imply and is more like a broad and encompassing theory of music perception and cognition, with expectation as the central concept.

(Prof. Eric Clarke Music Analysis)

Having worked on the question of musical expectancy for a number of years myself reading David Huron's recent book has been, for me, a real treat. My interest in this topic does, however, make me a harsh critic of work on this topic. It is within such a context, then, that I praise this book. Quite simply, Sweet Anticipation is excellent.

(Prof. Mark Schmuckler Philosophical Psychology)

David Huron's superb book Sweet Anticipation: Music and the Psychology of Expectation ... is an exceptional contribution to the field of music cognition and represents a clear advance in our understanding of the role of expectancy in musical experience. As a cognitive psychologist, I find Huron's proposals for expectancy mechanisms and their possible evolutionary origin convincing and novel. Indeed, throughout the book musical issues are connected with human psychology in a way that reflects a deep and nuanced understanding of both disciplines.... On the whole, Huron provides an extraordinarily rich analysis of the phenomenon of musical expectation and provides a persuasive account of its psychological sources. Sweet Anticipation is without question one of the most exciting pieces of scholarship to emerge in the past decade, and should be read by anyone with a serious interest in the psychology of music.

(Prof. William Thompson Empirical Musicology Review)

Sweet Anticipation is a brilliant work that will continue to inspire for many years to come.

(Dr. Adam Ockelford Psychology of Music)

Huron's ability to show the link between the biologically driven need to acquire knowledge for survival and the phenomenology of 'hypermetric anticipation', 'tonal syncopation', and other such specific, highly technical musical procedures is one of the book's greatest triumphs.

(Prof. Giorgio Biancorosso Music & Letters)

This is a remarkable publication that reflects a keen vision. It casts the meaning of music within a broad, scientific scenario.

(Dr. Rita Aiello Empirical Musicology Review)

One of the strengths of Sweet Anticipation is that it is an ambitious work that offers a Big Theory. Huron draws together insights from disparate fields such as music theory, evolutionary theory, neurobiology, and cognitive science into a theory that is coherent, parsimonious, and powerful.

(Drs. Catherine Stevens & Tim Byron Music Perception)

By persuasively putting forward a general theory of expectation by way of music, Huron's book will not only draw the attention of specialists in other fields to the work done by music theorists but also establish a benchmark for the future role of music in psychological research. For his theory implicitly demonstrates the significance of music not merely as a heuristic tool but also as a fundamental and highly symptomatic aspect of mental life.

(Prof. Giorgio Biancorosso Music & Letters)

This really is a very significant book on our responses to, and understanding of, music -- and one that has a disarming ability to simplify previously tangled debates without becoming simplistic.... Anyone interested in understanding the extraordinary range and dynamic character of listeners' responses to music will find a huge amount here to think about, some very entertaining anecdotes and examples, and inspiring model of how to tackle a complex subject with care, rigour, great scholarship and an awareness of the power of simplicity.

(Prof. Eric Clarke Music Analysis)

Sweet Anticipation should be required reading for all composers and musicologists.... This is certainly the best music theory book that I've read in many, many, years.... Highly recommended!

(David Stutz Amazon.com)

Apart from anything else, David Huron's book provides a wealth of fascinating insights amassed throughout 20 years of research in the field.

(Marcus Pearce & Daniel Müllensiefen Musicae Scientiae)

Huron writes with humour and humanity.

(Dr. Adam Ockelford Psychology of Music)

I can't put the book down! A must read for anyone who has read Meyer, Narmour, or Lerdahl. An exploration of human expectation as exemplified through a rigorous and systematic understanding of music cognition.

(Dr. David Spondike Auditory.org)

Sweet Anticipation demands careful attention from music scholars who still believe that experimental psychology is too primitive to speak to their concerns. In unpacking the process of expectation, long understood to play a crucial role in our emotional response to music, David Huron makes a powerful case for a musicology that is empirically informed and statistically based. Even those who question whether musical cognition is as strongly determined as he suggests will be challenged by his questioning of basic theoretical assumptions and won over by his continual emphasis on pleasure as a goal, perhaps the goal, of musical experience.

(William Benjamin, Professor of Music, University of British Columbia)

The quintessence of the French mind -- precision, concision, elegance -- as it should be, Pascal rather than Derrida. Everyone who knows William Thomson knows that he is not only a great economist but also a master expositor, be it in his papers and books or in his talks. In this book, he shares his remarkable know-how with us young and not-so-young economists.

(Maurice Salles, Professor of Economics, Université de Caen, and Coordinating Editor, Social Choice and Welfare)

David Huron draws on evolutionary theory and statistical learning to situate the particular issue of musical expectation within the study of human expectation in general. The result is a widely knowledgeable and engagingly written book that will serve as a landmark in the cognitive science of music.

(Fred Lerdahl, Fritz Reiner Professor of Music, Columbia University)

About the Author
David Huron is Distinguished Professor in the School of Music and in the Center for Cognitive and Brain Sciences at the Ohio State University; he is author of Sweet Anticipation: Music and the Psychology of Expectation (MIT Press).

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55 of 58 people found the following review helpful.
Music and Surprise
By E. N. Anderson
Finally, a real five-star book about music. For some reason, there are thousands of books about language, but almost no serious ones analyzing the biology and psychology of humanity's other communication systesms. Every society has a highly developed musical tradition, every society uses music in countless ways including the most sacred religious ceremonies, and yet hardly anyone has stepped forward to analyze it as a basic communication channel for humans.
David Huron's book is on surprise in music. He shows how music creates expectations of pattern, from simple rhythm up to very complex patterns (the concerto, the symphony...) that only sophisticated listeners know. Musicians notoriously love to play with these patterns, to surprise the listeners and thus create new pieces and prevent boredom. Huron distinguishes several types of surprise, on the basis of a highly sophisticated evolutionary and cognitive psychology as well as an astounding knowledge of music. He knows everything from the complexities of Beethoven and Schoenberg to the joik songs of the Saami of arctic Europe, and even knows what happens when you play the latter to rural folk in southern Africa. By contrast, such earlier works as Robert Jourdain's MUSIC, THE BRAIN AND ECSTASY were greatly limited by confining their attention to western classical and classical-derived pop forms, thus missing everything from cross-rhythms to alternative scales.
Surprise presupposes a whole file of knowledge of patterns and schemas, and a deep cognitive and emotional investment in same. Huron takes these mostly for granted. Obviously, the next step is to figure out why people love complicated musical patterns in the first place. Especially, humans love the theme-and-variation type of play with patterns that dominates music from Elizabethan lute solos to jazz to ragas. These are not exactly surprising, especially when you know the pieces, but they are always delightful. Why? Huron mentions body rhythms, speech rhythms, and the like. There is obviously more. I think there is much more about pattern--in music and in general--that we need to study.

30 of 33 people found the following review helpful.
Music theory that includes the whole world!
By Amazon Customer
Sweet Anticipation should be required reading for all composers and musicologists. The book plausibly explains how and why music affects human emotions, and it also contains numerous practical factoids that can be used to gauge one's own works against the spectrum of human musical perception. Huron uses statistical analysis and a deep knowledge of recent experimental progress in the psychology of musical perception to paint a picture that goes far beyond often banal music theory. His theories apply to all existing musical traditions, which to me is one of the most interesting aspects of the book, since most music theorists are pathetically myopic when it comes to assessing music as a universal human phenomenon.

This is certainly the best music theory book that I've read in many, many, years. It takes many things that performing musicians intuitively know to be true, and puts them into a more rigorous experimental context than musicians normally use. This being said, the book is probably not that accessible to anyone who does not yet have an undergrad level grasp of classical music theory - if you don't know what a ii-V-I progression is, or you can't see the shape of a melody by looking at an printed musical example, you probably won't get much out of it.

Highly recommended!

10 of 11 people found the following review helpful.
A great book on the Physiology of the human capacity for Music
By Razvan Bunescu
Why do some of us experience frissons when listening to music? Why is a deceptive cadence still "deceptive" after countless listenings? Why do bad feelings amplify subsequent positive emotions? Why understanding pleasure is important for understanding music?

This and many other interesting questions are addressed in David Huron's book. Central to his theory on how expectations determine emotions in music are our propensity for (imperfect) inductive statistical learning, the unconscious reactions of the fast-track brain and the following slower, contrastive appraisal responses. All integrated convincingly in an evolutionary perspective.

I like the statistical approach used throughout this book to explain important concepts such as expectation, surprise, anticipation, tonality, contra-tonality, syncopation. I liked the parallels drawn between when-related and what-related expectations - music contains "tendency notes" as well as "tendency moments", drumming fills as "embelished tendency tones". Statistical learning can go a long way towards explaining musical expectations (I am however less convinced that a statistical learning theory can ignore Gestalt-based features in its attempt to explain musical phenomena).

Really understanding music is a very hard task, and I agree that music analysis will be far from solving the task as long as the easy "naive realism" approach is preferred to "sophisticated realism". This book offers a good example of empirically founded sophisticated realism.

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Senin, 18 Oktober 2010

[U374.Ebook] Free Ebook The Lunar Effect: Biological Tides and Human Emotions, by Arnold L. Lieber

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The Lunar Effect: Biological Tides and Human Emotions, by Arnold L. Lieber

  • Sales Rank: #1386764 in Books
  • Published on: 1978
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 168 pages

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4 of 4 people found the following review helpful.
Sure, give it a go.
By KP
It's sad that this is out of print. If you're interested in seeing some actual research on how the moon pulls on the human body, it's a decent read. I'm glad to have it and glad I read it. It's not the end all-be all. But it's cool to read that they've found "proof" of what I already have plenty of proof of in my own bones.

0 of 0 people found the following review helpful.
great book!
By Jane E. Knight
Bought one for myself and one for a friend, great book!!!

0 of 6 people found the following review helpful.
Lock your doors
By K. Lawson
The closer the moon gets to the earth during its 28-day cycle, the more full it becomes and the stronger its gravity. As the moon swells in the night sky, its gravity causes high tides, both in the ocean and within our human bodies, which are mostly water. The effect of this internal tide reaches a tipping point for some people (particularly the unchaste and immoderate) just when the moon becomes completely full. The “humors,” or moderating fluids within our bodies, are contained in vessels that are gyroscopically controlled so as to remain in alignment with the earth, however, when the internal tide is high, those fluids spill over, triggering bizarre, ungodly behavior.

To ensure that this displacement of our emotion-regulating fluids would not happen, God originally placed the moon further from the earth, but the accumulating burden of man’s sin has increased the weight and gravity of the earth, continuously pulling the moon closer. The full moon effect some are noticing now will become ever more prevalent as we approach end times. So each time that lesser light of the heavens reaches its maximum brilliance, lock your doors and guard your daughters. If you suffer from full moon effects yourself, perhaps it will be best if you are on the outside of that locked door. Devote yourself to prayer and try to remain in the shadows.

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Kamis, 14 Oktober 2010

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Acilar cekerim soze dokulmeyen haksizliklar elinde.Kimse duymaz bagislanmayi diledigimi ve agladigimi.Tipki bir mumun goz yasi dokmesi gibi; Kimse bilmez goz yasinin neden aktigini, Atese yakin oldugu icin mi, Yoksa mum ozluyor diye mi? Simdi ayri dustugu Balinin tatliligini. Eserde hâkim olan unsur tasavvuftur. Mevlânâ'nin umumî olarak tasavvufî dusunceleri, gorusleri, devrinin bircok dinî, felsefî, ahlâkî inanclari, siyâsî olaylari ve muhîti uzerindeki derin ve buyuk tesiri yer almaktadir. Allah, akil, âlem, zaman, dunya ve âhiret, insan, velî ve nebî, sulûk, mursid ve murid, yakîn, ask, semâ, din, amel ve ibâdet, irâde, ihtiyar ve sorumluluk gibi konular ele alinmaktadir. Mevlânâ, sohbetlerinde ele aldigi bu konulari aciklamak suretiyle sik sik âyet, hadîs, kelâm-i kibar, mesel ve siirlerden istifade etmektedir.

  • Published on: 2012
  • Original language: Turkish
  • Binding: Paperback
  • 380 pages

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Advertising Creative: Strategy, Copy, and Design 2nd edition

  • Sales Rank: #6793336 in Books
  • Published on: 1601
  • Binding: Paperback

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